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It’s a movie that I am excited to see now, and I know I would have seen 850 times in the theater as a 13- or 14-year-old. “I loved the original and I also really, really love our version,” Wolff says. The next major step for Wolff comes later this year, when he stars alongside Dwayne Johnson and Kevin Hart in December’s Jumanji: Welcome to the Jungle, the big-budget sequel-slash-reimagining of the beloved 1995 Robin Williams film. I’m proud of that show, but I see myself every time as I get older, trying to honor what I’m interested in at each stage of my life.”
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You have to be honest to what you’re into at the time. “This is just the work that I’m interested in doing now. “I’ve always done things that were true to me,” says Wolff, who previously appeared in the coming-of-age drama Coming Through the Rye, inspired by J.D.
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While the film marks a stark departure for Lynch, who made a name for himself on Disney’s Austin & Ally, Wolff has found a comfortable distance from his family TV background on The Naked Brothers Band with brother Nat Wolff ( The Fault in Our Stars) by taking on darker roles and discovering his own path as an actor. MORE: Amanda Knox, OJ Simpson and Our Fascination With True Crime It pulls the rug out from under you, which is why it’s such a disturbing movie.”
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The one thing I like in the movie is there’s a mark about halfway through where you think, ‘Oh, they’re going to change history and he’s not going to become a serial killer.’ Even if you know the history, you think it’s going to be OK, because they’re all having fun. “This shows you how that friendship informed his life. “What this movie does so gracefully is that it makes you see Jeff and not always Jeffrey Dahmer,” Wolff says. Those brief moments during high school when Dahmer was just a dorky guy trying to find his way lend an eerie sadness to the film, one that Wolff says was a challenge when trying to make a movie about such a notorious individual. The movie, part of which was shot in Dahmer’s real-life childhood home in Akron, Ohio, walks a deliberate tightrope of presenting Dahmer as navigating through the fraught high school years and tamping down the monstrous urges that would appear shortly after he graduated. “I think the film is excellent, very true to the book. He studied the book, of course, and there’s more than enough material there for him,” Backderf says. “Everyone has their own process and, having one myself, I respect that. Wolff didn’t meet with his real-life counterpart before filming - and the artist, who worked on the graphic novel for nearly 15 years, understood Wolff’s decision. The movie is a really riveting depiction of the breaking down of a friendship, the disintegration of a connection between these two young people.” You want to like him, you want to feel for him, but he lacks a little bit of empathy and it takes him longer than you would like to realize that there’s something off about Dahmer. “He’s the coolest of the nerds, but I liked that he’s in-between.
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“I found Derf to be a really interesting character - someone who seemed really warm and inviting, but he’s also full of contradictions,” Wolff says. MORE: A Guide to the Serial Killers (and Infamous Murderers) Taking Over Film and TV in 2017